samedi 31 mars 2012

The Trashmen - Surfin' Bird (Garrett Records - 1963)

If you want to learn everything about The Trashmen, just hit the internet or read the nice line note of this excellent Charly 2011 reedition. Surfin' Bird has acquired a cult status amon punk and garage collectors and when you hear their raw take on rock'n'roll, you easily understand why. Surfin' Bird, their only hit single, is a combination of two R&B hits by The Rivingtons, Papa-Oom-Mow-Mow and The Bird's the Word and probably the first single to chart with a sick punk voice on it. The Trashmen gained a new popularity in the mid 90's when Quentin Tarentino made of Misirlou the opening theme of Pulp Fiction.

dimanche 25 mars 2012

The Beat Scene (Decca Record - 1998)

Decca released a serie of 8 compilations at the end of the 90's, gathering their 45 rpm released in the 60's in the wake of The Beatles early success. Decca A&Rs were looking for the next Beatles, a band they declined to sign,  and the label started to churn out 7" made by bands with a name starting with "the". Most were just one hit wonders, giving up everything they had on two sides and then vanishing into showbiz obscurity, even if people like Joe Cocker, The Knack or Andrew Oldam had a nice career afterwards.  It's  good old fashioned rock'n'roll with a nice poppy garage british swag. 


Download => The Beat Scene

dimanche 18 mars 2012

Pachuco-Soul! - A Collection Of Vintage East-L.A. Grooves From The Vaults Of Rampart Records (Vampisoul - 2004)

Fourth post in a row on a label compilation. This time, it's the Eastside sound of Rampart Records. Eastside goes for the Eastside part of Los Angeles and its Mexican American community and musicians. The entire Eastside scene success was due largely to one man, Eddie Davis, that produced and pushed hundreds of records from 1958 to the early nineties. His biggest selling record was Land Of 1000 Dances by Cannibal And the Headhunters, the kind of garage anthemic sound the Eastside bands were famous for. They followed all the musical trends, from rock'n'roll, doo-wop, funk, soul and even disco, spicing it up from times to times with traditional Mexican instrumentation like a mariachi trumpet on The Majestics' (I Love Her So Much) It Hurts Me, the Santana sound alike latin rock of Tocayo (Con Safos) or on Mickey & The Mex-Tex's Borracho. The Frog by The Village Callers is the real curiosity on Pachuco-Soul! because it saw this latin soul band venturing into bossa territories. Another massive song is Skylite's Boogie Butt and its infectious bassline. Break diggers will go directly to One G Plus Three's Poquito Soul. You won't find only songs released on Rampart Records here but others as well released on labels like Faro Records, Linda Records or Valhalla Records. The legacy of the Eastside sound is still well alive today inside the Mexican American community, especially thanks to the lowriders fans who made of doo-wop and sweet soul their official soundtrack (cf. the excellent article on this scene published in the number 49 of Waxpoetics).



Download => Pachuco-Soul!